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1.
2.
At the end of the day sun light is fading fast and we're on our way another damn tank of gas Long empty roads the tree lines play cold refrains my passenger seat Warm, torn and coffee stains A sad slide guitar moans on the radio a pastoral scene scored by blue rodeo a smalll masterpiece it's only now that you see If I were to look past my cool mask I would agree I think we spend our last night in Montreal My eyes are heavy, I hear sleeps whispered call The breeze sheds leaves from trees with ease in fall Quietly leads us to Fredericton Sackville or Moncton At the end of the day the sunlight is fading fast We’re on our way Another damn tank of gas
3.
The Tourists 04:38
Me and my friends went to New York we spent a weekend in Bushwick The price was kinda steep, but oh well, we're in New York On the first day we saw a cockroach jumped up and scurried across the hardwood and we all kinda laughed and said oh well, we're in New York We saw a rat down in the subway it looked up at my with indifference as if to say, what's your problem? You're in new York. The rat got off at 23rd street we stayed on until Rockerfeller The people pushed, said get out of the way, you're in New York On a worn out bench I stop to take in the racket Until a lit cigarette, burned a hole in my jacket We brought home bedbugs from New York we got a message from Lauren who said she had bites up and down, she could barely close her left hand I found a couple in my queen bed they were hopping around, they were laughing in my face after I crushed them and flushed them i said “Go back to New York”.... I’ve all my regrets And I may find Solutions In these tall silhouettes And noise pollution
4.
I was hoping to ask you out To see what your plans are Saturday I know there's a thing downtown We could get food along the way I’m trying to think about Ways I can help, what I can do I'm planning to make some signs I could make one just for you To be young, in love at the end of the world My parents don’t give me time My father dismisses all my plans They tell me that life ain’t fair And when I get older I’ll understand To be young, in love at the end of the world
5.
I found myself on a dusty trail in the company of a nightengale I squinted hard and held my head opened my eyes I was still in bed Mouth it tastes like last nights beer I don’t remember getting here Someone please come rescue me Called you up, are you alright? You said you had a restless night The room would spin when you closed your eyes lipstick smeared last night's disguise sunlight shines on your throbbing face you wish you didn’t have to leave you place someone please come rescue you I need to ease my hunger pains caffeinate my tired veines shoes untied and my hair’s a mess stained shirt hiding underneath my vest Coffee shop is across the street but I hate the world and I hate the heat but I think I’ll buy a cup for you I’m lonely too, just like you.
6.
Distortions 03:00
Scrolling through my feeds I see a distorted reflection well placed good intentions I see the man I could be From when I raise my head I'm looking for validation somewhere to put my frustrations but that's not who you will see The day is passing by, my world is shaped through a prism of hand held religion I’ll fall asleep at the pew If I looked inside Could I see through distractions Could I gauge my reactions? If for a minute or two There's a rock-umentary on TV These metal gods have lost control the Drummer is screaming The singer is missing When will the get to rock & roll? While staring at these hardened faces I think I see a bit of me without the money without the memories without the popularity But what was I saying?
7.
The mouse walked underfoot, I watched in slow motion Would the man notice? Would he jump out the way? would he shriek like some cartoon? a long forgotten trope. An old faded memory Of a cat and kangaroo I’ve never lost someone too close to me Who wasn’t near ancient So my emotions Wait like torpedos, lodged below my heart The man stopped and turned The mouse writhed in the cold He’d soon meet his maker The man would soon forget But I just couldn’t shake This confluence of fate That left me distressing On the way to the bank I’ve had problems understanding strong men They mask their emotions Behind obligations. Could I sing tributes to dead heroes without losing my cool? Did I meet his love in the past? (The mouse, not the man) When she looked with indifference, as if to say… “We’ve all got our problems pal We all have to make the next train” I’m the mouse not the man.
8.
Anxiety 05:55
I’m usually a happy man With a loving heart and a steady hand But some times when the days get grey And I’m all alone, I want to slip away I can hide behind an old guitar And some fancy chords, it won’t take me far And I can hide behind a microphone When all I want to do is be alone I wanna be alone I’ll be a well of constant gladness, shield my eyes from fear or sadness Take a deep breath, a slow release And the stomach pains, soon will cease (oh they’ll probably cease)
9.
Gros Morne 03:02
As the sun shines on the mountains of Gros Morne and the fog lifts from the sea I am waking from a dream about your arms the only place I'd rather be Pipers sing from coastal ponds around Gros Morne a fall migration; leisurely And though my body now, must go I know my heart shall never leave

about

"TOPAZ", Shawn William Clarke’s follow-up to the critically acclaimed "William", wondrously introduces a new sound while maintaining his signature poignant storytelling.

Coming out of the bleakness that was 2016, TOPAZ is an ode to new beginnings and renewal. “I was floundering, in between jobs, in an existential funk, so I consciously started 2017 with a new mindset. I quit drinking, and began focusing on TOPAZ”. With fresh determination, he dusted off his electric guitar, and began writing.

TOPAZ dives into anxiety, existentialism, and finding stillness in the whirlwind of life. These tracks weave a delicate balance between celebration and understatement. Salute and Shadows; 80's albums from fellow Orillian Gordon Lightfoot, initially inspired Shawn to begin working on TOPAZ. “The sonic quality of those records, the subtle mix of synths and electric guitar really got me excited about the prospects of creating again, up until that point I was primarily listening to Ambient and New Age music” There’s an ease in this album that navigates themes of travel and finding the familiar in unknown places throughout Canada with songs like “Autumn in New Brunswick”, and “Gros Morne” while digging deeper on a personal level with “Mouse Not The Man” and exploring the art of storytelling with “You’re Lonely, Too”, and “Young In Love (At The End Of The World)”.

Clarke’s ability to share his soul and experience in great transparency lowers the guard of any listener. TOPAZ is an outpouring of literary prowess and the uplifting spirit of collaboration shows on every track. Clarke's ideas attracted an incredible cast of musicians into the mix. James Bunton (Ohbijou, Donovan Woods, Evening Hymns) returns as producer, and the talented David Gluck is once again featured on bass. Meanwhile, newcomers Kristian Noel Pedersen on Synths/Wurlitzer, and Andrew Dal Cin on drums help create this new sound. An impressive roster of special guests include vocalists Olenka Krakus, Merival, and "Colleen Pedersen Award" winner Abigail Lapell. Christine Bougie (Bahamas, The Good Lovelies, Jason Collett) plays guitar on “You're Lonely, Too”, and film composer Alexis Marsh (whose work can be heard on the show “Animal Kingdom”) arranged and performed all the woodwinds.

To say that Shawn Clarke’s songwriting has turned heads is an understatement. His critically-acclaimed songwriting received a 9/10 from Exclaim Magazine, 4/5 from NOW Magazine. He was named as a runner up as Best Songwriter in NOW Magazine in 2014 and 2015. And his recent album William was nominated Best Folk Album in Toronto Independent Music Awards in 2015. All in all, Shawn is a storyteller and will continue to tell stories that move him and if you’re in earshot, they will move you too. TOPAZ will stick with you

credits

released September 1, 2017

Shawn William Clarke: Vocals, Acoustic and Electric Guitars
Kristian Noel Pedersen: Synths, Wurlizer. Hammond
Andrew Del Cin: Drums, Percussion
David Gluck: Bass

Alexis Marsh: woodwinds, sax solo on "Anxiety"
Olenka Krakus: Vocals, feature on "Autumn In New Brunswick
Abigail Lapel: Vocals, feature on "Young In Love'
Merival: Vocals, feature on "You're Lonely, Too", Mouse
Christine Bougie: Guitar on "You're Lonely, Too"

James Bunton: Producer, piano on "Young In Love"
Jeff "Fedge" Elliot: Mastering
Rob Currie: Engineer
Artwork: Jessica Rae Gordon
Photography: Laura Proctor

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